Mr. Gas
Wire-bound artist publication with die-cut cover. A visual essay documenting blockchain culture from inside its most volatile period — community language, system errors, and digital economies collaged into and around the artwork itself. Published by Basalt.
Enquire
A sustained body of digital portraits born from Ethereum's gas wars — the volatile period when transaction costs made participation itself an act of endurance. Over two years the project expanded into an evolving mythology: each phase responding to market crashes, community fractures, and the strange new rituals of decentralised culture. Loose, improvised brushwork replaces pristine digital imagery throughout. The visual language draws from graffiti, street art, and the urgency of painting made in real time.
The original portraits. Painted during the first wave of gas fee volatility, each character emerged from the chaos of live minting — the cost of making the work encoded in the urgency of its execution.
Forged in the aftermath of the July 2021 market collapse. A new breed of character — harder, more weathered — painted in direct response to the moment the speculative floor fell away.
Spirits from past ages summoned to give the tribe new strength. The project reaches backward — constructing a lineage and mythology that extends beyond the immediate moment of blockchain culture.
Composite figures — two warriors fused into a single, elevated form. Characters that transcend their individual origins through combination.
Mutated and enigmatic clones — familiar characters returned through distortion. The uncanny doubles that emerge when digital identity is copied, corrupted, and reconstituted.
A divergent species arriving from outside — outsiders bringing new visual language and energy to the existing mythology. The project opens its borders.
A stealth crew from beyond the veil. Figures that exist at the threshold of visibility — the project's most elusive characters.
Commemorating sustained commitment. Portraits made for those who remained through the full duration — endurance as a form of loyalty.
The royalty. Figures that have accumulated the full mythology — every phase, every variant, every weapon — condensed into singular, authoritative portraits.
Mass-produced fragments and visual noise — the residue of the GasWarriors universe. Quantity as material, repetition as commentary.
The armoury. Objects and accessories that exist alongside the characters — the material culture of a fictional tribe.
Editions released beyond the core series — burn rewards and open mints that extended the GasWarriors universe into new formats and distribution models.
The characters translated into three dimensions. Wearable virtual avatars that carry the GasWarriors identity into spatial and embodied digital environments.
GasWarriors rendered in paint. The digital character translated into physical media — acrylic and gold leaf on canvas.
Digital identity made physical. This series navigates the space between online avatars and embodied selfhood — animation aesthetics rendered in paint, layered with the residue of digital interface elements. The virtual leaks into the real.
A cross-section of collective memory from an interconnected, media-saturated society. Through a process of distilling shape, form, colour, and texture, SimPunks recasts digital identities as something both recognisable and uncannily new — playful yet incisive commentary on the commodification of the self.
A gateway to our digital past. Meticulously crafted landscapes that bring forth the echoes of shared digital heritage — internet folklore, retro gaming, and the spectral afterlife of obsolete technology. Each piece challenges the assumption that our digital history simply disappears.
The vernacular as the profound. This collection converts the seemingly trivial into potent commentary, blurring the boundary between meme culture and meaningful critique. Some works employ AI as a tool, testing the boundaries of authorship and the speed of cultural response.
A commentary on the contemporary digital art landscape, capturing the essence of various digital eras and subcultures through a playful yet thought-provoking lens.
Everything arrives on something. Freight marks the infrastructure before it disappears — pattern, figure, and bone applied to surfaces that were already in motion. The ground gives way. The image doesn't.